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Kunst und Kultur nach dem Nationalsozialismus (Jutta Braun)

Marsoni M251S
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Kunst und Kultur nach dem Nationalsozialismus (Jutta Braun)ber den Umgang mit Diktatur und Verfolgung im Kulturbetrieb des geteilten Nachkriegsdeutschlands. Die zeithistorischen und kunstwissenschaftlichen Meistererzhlungen waren lange von der falschen Vorstellung eines Neubeginns im Kunstbetrieb nach 1945 geprgt. Deshalb vermessen Historiker: innen und Kunsthistoriker: innen im vorliegenden Band die Bedeutung des Betriebssystems Kunst fr die NS Aufarbeitung sowie fr Demokratisierungsprozesse nach dem Ende
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4.2 ★★★★★
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Courtney Marie
San Leandro, US
★★★★★ 5
The Best Supplements for Law School
Format: Paperback
These books are worth the money! I know law school books are expensive, but if you're struggling with a certain area of law, forget the price and buy Examples & Explanations. They all come with great practice essay questions and answers, as well as explain concepts in normal-people speak (unlike most law school casebooks).
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Reviewed in the United States on September 19, 2022
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Ryan L Jennings
Pawtucket, US
★★★★★ 5
Great
Format: Paperback
Great for law school! Perfect condition. Thanks!
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Reviewed in the United States on April 17, 2024
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kcap
Bozeman, US
★★★★★ 1
missing pages
Format: Paperback
missing pages
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Reviewed in the United States on February 2, 2026
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Lina
Charlottesville, US
★★★★★ 3
Not helpful
Format: Paperback
I returned this book without reading much
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Reviewed in the United States on January 19, 2024
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Robert A. Mcinnes
Natrona Heights, US
★★★★★ 5
Fantabulous!
This is a fantastic and true re-publication of a classic favorite. The illustrations are great (though I wish they were in color), and the type-font and whole format were designed to make this a timeless heirloom, to be passed down the generations. I also learned the correct names of two of the eight reindeer were "Dunder" (not "Donner") and "Blixem" (not "Blitzen"). It shows that Candlewick Press took pains to make sure that what they were republishing was true and accurate to Clement Clark Moore's original work. Note that the name of the illustrator (Matt Tavares) is prominently acknowledged on the cover, though Moore's name is only mentioned in "A Note from the Illustrator", probably owing to the fact that Moore first published his poem anonymously. Still, I'm surprised that "they" did not include Moore's name on the cover. If you are looking to acquire a good, faithful, accurate and wonderfully illustrated version of this classic for your shelves, to be pulled at Christmas-time for reading and re-reading, this would be as good a copy (or perhaps better) than any.
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Reviewed in the United States on January 31, 2010

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