PEGASUS Tanglewood Sue-per Shifter Metallic Wax

PEGASUS Tanglewood Sue-per Shifter Metallic Wax

Marsoni

M251S

$37.97

Get it in 3 business days with 1 day shipping. Friday, May 29

PEGASUS Tanglewood Sue-per Shifter Metallic WaxINTRODUCING NEW Tanglewood SUE per Shifter Jewels created by Miss Lillian's by No Wax Chock Paint! Size: Each Jar is 1oz PEGASUS Base: Medium Pink PEGASUS Shift: Purple Turquoise Pink These First of their Kind Color Shifting Metallic Waxes Shift to MULTIPLE COLORS depending on the angle of the light. Tanglewood Sue envisioned these jewels for her (in)famous gothic furniture makeover but you can use them on any kind of project where you want to add a

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Magic City remains, perhaps, my favorite volume out of Yusef Komunyakaa's distinguished body of work. With his characteristic blues and jazz-inflected lyricism, Komunyakaa revisits the harrowing violence and racism of the deep south as viewed through a piercingly translucent prism of personal memory. The poems making up this volume are in many respects a poetry of witness, and the eyes through which which this gritty psychic landscape is revealed to the reader penetrate various scenes of troubled family life, poverty, violence and racism with a razor-sharp clarity rife with anger, sorrow, and beauty. Ranging in age from childhood to young adulthood, the speakers, or witnesses, in these poems see through eyes that are simultaneously innocent and jaded, naive and urbane, unflinchingly tough and lyrically sensitive. These are unforgettable poems. Like good blues, they cut right down to the bone.

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Reviewed in the United States on April 21, 2002

Verified Purchase

Silvia

Battle Creek, US

★★★★★ 4

Four Stars

Format: Paperback

took a little longer than I expected but overall good quality for a used book .

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Reviewed in the United States on September 24, 2014

R. H. White

Louisville, US

★★★★★ 4

Unblinking portrait of a childhood in the Jim Crow South

Format: Paperback

Komunyakaa, who won the Pulitzer Prize for his Neon Vernacular, here writes about his childhood in a Louisiana town. The poems are poignant but unsentimental: the child's world has a certain kind of innocence but is saturated with violence, from the Klan to his father's abuse of his mother to the pragmatic violence of slaughtering a hog. One of the more exciting elements of this book is Komunyakaa's skill in combining realistic description with startling and even puzzlingly abstract language.

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Reviewed in the United States on February 26, 2000